Curated by a community of entertainment professional, the platform provides culturally relevant content targeted to the urban contemporary market. The basic concept for the apps is that it is a Netflix/Live Nation hybrid experience.
With a lack of innovative urban contemporary content on mainstream streaming services as well as rising subscription fees, the Trillvision app convenes a diverse digital community with the services to produce quality content in accordance with a business model focused on consumer choices. Our app features a 24-hour radio station, live stream events, mobile games, a community forum and premium digital content (TVOD).
The Trillvision app has a focus on the black consumer and urban contemporary markets. “Urban contemporary” (UC) is a radio term used to describe a playlist featuring a mix of R&B, hip hop, disco, rap and reggae music from the 70s to the present. Distinguished for its broad crossover appeal, this is the format for the Trillvision radio station and the soundtrack for the events and content the platform prioritizes. In addition, black consumers are the No. 1 ethnic group in watching live TV, playing game consoles, smartphone media consumption, and streaming audio. The Top 20 advertisers' spend on media focused on African Americans has increased from $3.34 billion in 2011 to $3.86 billion in 2019—almost a 16% increase.
The Trillvision app launched In January of 2021 in the Apple App Store and Google Play. Currently, the app has over 300 downloads with notification on; 20 5-star ratings; 350 users on its email newsletter distribution list; and 309 in its Facebook group. Additionally, the app has sold $526.00 of branded merchandise and other products. Our video production department had been hired to film and produce ten (10) film projects. These projects include one (1) music video; two (2) commercials; one (1) trailer; one (1) urban contemporary documentary; and a television series consisting of ten (10) 90-minute episodes. In 2022, (Jan - Nov 25) There have been 4,567 site visits with 1,411 unique visitors. The average user session is 9 minutes.
Trillvision was conceptualized as a convening platform for creatives and users around events that are fully optimized through vertical integration. Although, we have built our prototype and launched the app, at present, we are not fully scaled to provide the intended event support. We are actively seeking to advance our capabilities to be in line with our original concept. Our short term goal is to raise funds to improve the look, feel, and functionality of the app. To officially launch the app based on our marketing plan focused on events we will need to raise $100,000.
The members of the Velocity Productions Ltd. Team are as follows:
- Clarence Gaines – Information Technology.
- John B. Moody – Writer/ producer/ voiceover artist.
- Q-Nice – DJ/ producer/ director/ host/ poet/ MC.
- Marc Solomon – Audio engineer/ producer/musician/songwriter.
- Uncle P – Internet radio producer/ DJ.
- Steve Wilson – Comedian/Writer
- Gwen Maul - Artist, writer, singer, content creator.
- David Velo Stewart - Filmmaker/Web designer/IT
The team is filled with experts who are experienced in their relative fields; they are dedicated to making the company a success and will create a world where marketing companies and advertisers can use the company’s filmmaking and video production services to improve their service delivery.
David Velo Stewart is the founder and owner of the Trillvision app. His film "Hiphopbattle.com: Hip Hop 4 Life" premiered in 2001 at the Rock & Roll Hall of Fame & Museum (Cleveland, Ohio) and competed in the Acapulco Black Film Festival (Acapulco, Mexico) later that year. The film was also accepted in 2002 for two (2) screenings with Q&A at the Sundance Film Festival (Park City, UT). In 2007, his film “Hip Hop Life” was released on Netflix streaming and iTunes. His latest films, “Low-Key Savage Sunday” and “This Thing Call Hip Hop” both premiered on Amazon Prime Video in 2018 and 2020 respectively.
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