Professional Post Sound-Production. We have a new invention capable of making and guaranteeing sound engineers 100% successful in 'mastering' their work better than any of their competitors.
The Best Sound for A New World
Whether one uses analog or digitally generated sound-data, Sound Revelation Services’ uniquedevice (NADCS) is the only sound technology capable of guaranteeing a superior sound-product during post-production sessions. This occurs instantaneously by simply attaching our palm-sized device to any studio-monitor. Once this sound is logged in, it remains indelible unless deliberately altered or erased. This highly desirable sound is the most important feature that all recordings must possess before they can be presented to the general public. Without a doubt, this top sound is the most important determinant for success.
The inventor of Nature’s Analog and Digitally Compatible Sound (NADCS) wasMichael Emile Telford Miller who brought the world this remarkable device that finally solved the most troublesome problem that all sound engineers have had to cope with for decades. During the 1980s all the best sound engineers were searching for the ideal sound but with little or no success, especially when trying to accomplish it with analog sound. In fact, their inability to meet this definitive standard forced almost the entire recording industry to abandon analog sound in preference for digital sound with the expectation that it would make everything much easier for them to handle during post-production sessions.
Now, almost four decades later and with digital sound dominating the entire world of sound, some music lovers can still express dissatisfaction with digital sound while others would decide to move in an entirely different direction by cultivating their preference for the warm sound of vinyl recordings from the golden age of analog recordings, so much so that currently
vinyl record-sales comfortably
outstrip the sales of digital CDs (see riaa.com - 2019). Plainly, research has also shown that some listeners can also experience unquestionable discomfort with digital sound (for example, the late Steve Jobs) and yet others struggle with definite injuries to the delicate substructures of their auditory system
(see 1 -
https://www.headphonesty.com/2021/02/are-earbuds-bad-for-your-ears/ and 2 -
https://thehill.com/business-a-lobbying/business-a-lobbying/599870-army-veteran-wins-50m-in-lawsuit-against-3m-for/
Throughout the nineteen eighties and nineties, except for Japan, most technicians had to switch over to digital sound, but not our inventor, he decided to stay with analog sound: investing 40-plus years and $3.5 million examining all its qualities while also seeking the holy grail of sound - ‘the perfect sound.’
At the end of 1998 Miller made several important breakthroughs, all of them further solidifying his understanding of sound - in particular the ‘perfect sound,’ and the nature of it. He stated, “ based on self-evident truths, ‘the perfect sound’ could ONLY EXIST WITHIN the realm of ANALOG SOUND - not in digital sound, because ONLY ANALOG SOUND contains within it ALL the properties of NATURAL SOUND,” whereas conversely, these qualities are not inherent to digital sound because its technology is only a byproduct of natural sound: synthesized by applying a Nyquist frequency rate of 44.1- kHz, or by using some other much higher rates such as 96 kHz and 192 kHz - plus, which some technicians continue to experiment with.
Miller continued his search until late into 1999 when he decided to share his eureka moment with the world of sound by officially announcing that he had finally discovered the ‘perfect sound’ along with the ability to produce that special sound upon demand - in his own words, “I found The Best Sound for A New World.”
In the first phase of our company’s strategy, SRS plans to place the NADCS device primarily within its niche market - the conventional recording studio - solely for working on post sound-productions. As soon as we securely establish our reputation, we will target the international marketplace of films, television, videos, and all the other forms of sound production.
Due to the very luxuriant data within our broad bandwidth, numerous celebrities (see below) have expressed their preference for our sound because upon trying it, they agreed that the NADCS technology generates and brings back all the subtle human emotions and sensitivities engendered by authentic sound. With NADCS, at last the world will be able to experience a sound technology (i) capable of incorporating all the best aspects of sound, (ii) capable of working with all the diverse equipment used in most sound studios and (iii) that will also help humankind rediscover that natural is usually better than the unnatural.
During post-production sessions our technology empowers all sound technicians with more than a dozen strategically vital and unique technical advantages that together delivers everything required for achieving the pinnacle of postproduction mastery. NADCS delivers:
i) the sound-technology most capable of consistently delivering superior post sound-productions
ii) superior streaming, digital-downloading, and vinyl recordings
iii) one of the best sounds for music performances
iv) total compatibility with all digital equipment.
In 1994 our technology was field-tested on Pink Floyd’s mega hit-album The Division Bell which (i) eventually sold more than 6 million albums and (ii) was among the largest-selling albums that year.
Over the years our sound has been tested on the recordings of numerous international celebrities, for example:
EFQST rescues Stevie Wonder's album!"A Time To Love" was released on 14-12-05 and is now available in the UK. We sent our correction frequency samples to the president of Motown, Sylvia Rhone in care of her legal assistant Dedra Davis. Once implemented, Tamla Motown will have the best mastering sound for all their artists.
Below are other artists that have had access to Web-Fi Sound in the various stages of its development and also represents evidence of our proven track record in remastering:
Classical Pianist: Paul Calistus Ashley
Eurovision Song Contest (2009 Moscow) - 2 shows only: The First Semi Final complete live show/The Grand Final complete live show (placed on the official Eurovision Song Contest website)
Eurovision Song Contest 2009 Moscow - (album)
• ABBA - Waterloo
• Alicia Keyes - As I Am (album)
• Aretha Franklin - The Very Best of Aretha Franklin (album)
• Backstreet Boys - Unbreakable (album)
• Bottletop (charity) Sound Affects: Africa (2 cd set)
• Bruce Springsteen - The Essential Bruce Springsteen (disc 1)
• Ceredwen - O'r Mabinogi: Legends of the Celts (album)
• Coldplay - Viva La Vida (1 track)
• Connie Fisher - Secret Love (album)
• Dionne Warwick - Sings the Bacharach and David Songbook (album)
• Dizee Rascal/Calvin Harris/Chrome - Come Dance Wiv Me (1 track)
• Donny Osmond - Love Songs of the 70's (album)
• Eva Cassidy - Songbird (album) (2003 Universal)
• George Michael - Jesus to a Child, Free (2 tracks)
• Janet Jackson - 20 Y.O. (album)
• Jeff Buckley - Hallelujah (1 track)
• Jermaine Jackson - Big Brother Jermaine (album)
• Madonna - Hard Candy - Candy Shop, 4 Minutes, Give it to Me, Miles Away (4 tracks)
• Madonna - Music (album)
• Madonna - The Immaculate Collection (album)
• Mavis Staples - We'll Never Turn Back (album)
• Michael Jackson - Invincible (album)
• Michael Jackson (album)
• Michael Jackson - Private Concert DVD album for the Sultan of Brunei (mix assist)
• Mick Hucknall - Tribute to Bobby (album)
• Moulin Rouge 2 - Soundtrack (album)
• Pink Floyd - Division Bell (mix assist 1994)
• Prince - Planet Earth (album)
• Prince - 3121 (album)
• Rebbie Jackson - Yours Faithfully (album)
• Saxon - Inner Sanctum (album)
• Slumdog Millionaire - Soundtrack (album)
• Stevie Wonder - A Time to Love (album)
• Sting - Mercury Falling (album)
• Sting - The Very Best of Sting and the Police (album)
. . . and many more.